Adam Sandler resurrects his distinctive voice in the animated film “Leo,” lending it to a 74-year-old class lizard. The familiar gurgly baritone, known for phrases like “Shibbbittty bobbity dooo!” from “Saturday Night Live,” attempts to bring humor to a story where the lizard imparts life advice to quirky fifth-graders. However, Sandler’s modern artistic laziness takes over in this Netflix project, resulting in stiff animation and awkward gags. Even musical numbers featuring Sandler’s voice are underwhelming.

“Leo” establishes self-awareness with a slight adult edge, referencing E.B. White’s “Charlotte’s Web” early on. The narrative revolves around therapy, with the elderly lizard, Leo, revealing his ability to talk and offering personalized advice to each child. The script, written by Sandler, Robert Smigel, and Paul Sado, feels formulaic, treating Leo’s speaking ability as a poorly kept secret.

The film introduces Squirtle, a turtle voiced by Bill Burr, who adds antagonism and offhand urination jokes. Surprisingly, “Leo” incorporates musical elements, but the cut corners are apparent, hindering its attempt to compete with other animated soundtracks.

While “Leo” occasionally energizes with slapstick and a bright color palette, its assembly line animation and lack of attention to detail detract from the viewing experience. Awkward product placement and visual gags, reminiscent of the Minions’ style, are scattered throughout. Despite contributions from TV Funhouse, the humor in “Leo” falls short, making it a lackluster attempt at charismatic sentimentality. Visit myflixer for more!

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